Khachaturian: Masquerade Suite
There was supposed to be some text that
went with this post, so here it is. Aram Khachaturian (1903-1978) is
identified as a “Soviet composer of Armenian extraction.” He was
born and raised in Tblisi, Georgia. He moved to Moscow in 1921 (he
would have been in his late teens), he studied music there and by
1936 wrote his first great work, his piano concerto (he would have
been in his early thirties). He wrote a lot of orchestral music over
the next twenty years including this featured work in 1941.
Now,
we all know what was going on in the world of 1941 and probably so
did Khachaturian. What's actually not so surprising is that this
music seems to fit similar realities being played out on the present
social political scene in the world of 2015. While this really is a
good performance of this work, its context here is what the music
said about the times it was written and what it suggests to us today.
These sorts of associations tend to give greater relevance to music
written closer to our own time. There may be many out there who may
not regard Khachaturian as either a very important or significant
composer, but I'd suggest that his music expresses much that is
inherently and incontestably part of that emotional realism that
falsely and mistakenly is passed off as merely “romantic,” as if
to suggest fantasy or fiction. No way! Khachaturian in his own
special way was contributing to and extending the drive for
expressing emotional realism in music, and in this particular
composition, of a lot of fake and crazy emotions connected with false
gallantry, heroism and war posturing. Bear all that in mind as you
get acquainted once again with an old orchestral war horse of a
composition from a time, very sadly and foolishly, very much like our
own.
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