Another
series attempting to depict a survey of highlights from the Canon of
Western Music, we begin with Bach. There are people who are devoted
to particular composers, and among them Bach usually enjoys quite a
following. Among the earliest orchestral works by Bach, of which I
was to get to know, turned out to be the First Brandendurg Concerto
[F Major BWV 1046] written sometime before 1721 by the fairly well
situated 36 year old composer.
There
are six of these concerti, among them the fifth which is a great
keyboard concerto. They were never performed during Bach's lifetime
and he never got paid a dime for them as far as anyone knows. In
fact they might have faded into history or perhaps been irretrievably
lost had they not been re-discovered in a dusty library in 1849 and
circulated and performed widely thereafter.
From my
earliest acquaintance with this first concerto, the performance
standards have changed considerably. During the 20th
century and before that, it seemed customary to try to adapt earlier
music to fit a more modern (usually larger) ensemble of players
usually producing a bigger thicker sound, which maybe did nothing to
preserve the best aspects of an earlier musical style involving much
interplay among voices in the musical texture.. More modern
performances seem intent to try and incorporate some authentic or
“period” aspects; limiting players per part, using period
instruments or allowing extensive musical filigree (sometimes called
ornaments or mannerisms), which are supposed to indicate something of
the freedom allowed talented musicians of the time. These would
perhaps interest younger players and audiences who might be hearing
this music for the first time.
So here
is the Brandenburg Concerto #1 in F Major BWV 1046, played by
Mozart-Orchester under the direction of Claudio Abbado.
4. Menuet - Trio I - Menuet da capo - Polacca - Menuet da capo - Trio II
- Menuet da capo
FINIS
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